Features: • Professional dry-ice machine creates thick, low-lying clouds that hug the floor • Quickly heats water to its optimal operating temperature using simple, plug-n-play operation • Heat the water in a fraction of the time by utilizing the second heating element • Manipulate the output and flow with the adjustable, multi-level control handle • Increase safety with low-water and temperature sensors that automatically shut off heaters

Incredibly compact, the Crown MA3600VZ-Stereo Power Amp dishes out prodigious amounts of clean, reliable power: 1,800W per channel @ 2 ohms, 1,565W @ 4 ohms, and 3,505W @ 4 ohms bridged. The Crown MA3600VZ features comprehensive protection against shorted, open, or mismatched loads; overloaded power supplies; excessive temperature; chain destruction phenomena, input overload damage, and high-frequency blow-ups. The Crown MA3600VZ-Stereo Power Amp is equipped with power-on and signal-present indicators. Output power at 1 kHz with 0.1% or less THD: Stereo mode with both channels driven: 1800W into 2 ohms 1565W into 4 ohms 1120W into 8 ohms Bridge-mono mode: 3505W into 4 ohms 3140W into 8 ohms.

FM 212 DSP features 16 quality amp models and 16 DSP effects per channel (including reverb, delay, chorus, tremolo, flanging, Vibratone and combinations). Two heavy-duty 12″ Special Design speakers are driven by 100 watts of pure Fender tone, making this one of the fullest-sounding small combo amps available today. And it provides lots of opportunity for sonic fun and experimentation! Includes two-button channel selection and effects on/off footswitch. It has 2 independent channels with duplicate controls. Each channel can be set to any amp type, effect, and EQ setting desired. Both channels include 16 selectable Amp Types including classic Fender Tweed, Blackface , Hot Rod, & Metalhead ; British Stack and Combo; Jazz; and Acoustic-Electric simulator.

The Line 6 Spider IV guitar amps redefine what is sonically possible for modeling amplifiers, and the Spider IV HD150 half stack is at the top of the heap. It boasts the most advanced Line 6 amp modeling to date, over 500 presets, and a truly evolved playing experience. Spinning the amp model knob on the slick faceplate is like browsing through a museum of the most revered guitar tones of all time. The Spider IV amp lets you explore each legendary modern and vintage amp tone, play with celebrated combinations of syrupy effects, and crank them like you own the place.

The GP-8 is mostly an Analog Effects Processor with basically 8 Boss stomp boxes in one unit. The Roland GP-8 Guitar Effects Processor is one of the earliest (1987) multi-effect racks with 8 effect blocks that included Dynamic Filter, Compressor, Over Drive, Distortion, Phaser, Equalizer, Digital Delay and Digital Chorus. The digital delay and chorus are both 12-bit. There is a slight bit of noise with this unit but nothing that a Noise Suppressor can’t take care of. There also is no reverb, but I can always get that out of the GP-16 or somewhere else.

The Bud-Wah puts classic wah tonality into your rig, without sacrificing your guitar’s clarity. The Bud-Wah features a tight tone sweep, so you get a very vocal-sounding wah; no ear-piercing highs with this wah! The Bud-Wah is built from the ground up to give you a very musical, very expressive playing experience. And when you switch this true-bypass pedal off, you know your pure signal integrity is maintained. You get boutique-quality components, top-notch workmanship, and road-ready reliability from the Bud-Wah!

The DD-6 Digital Delay is the first BOSS delay pedal to offer true stereo delay and panning effects. Features include built-in tap tempo capability and a delay/hold time of over 5 seconds (5,200ms). A new Reverse mode makes it easy to get trippy ‘60s and ‘70s-style effects, while the newly designed Warp mode creates radical delay effects on the fly.

Monster Cable Standard S-100 1/4″ – 1/4″ Speaker Cable is a compact, high-quality 16-gauge speaker cable that features special windings and a patented Magnetic Flux Tube to reduce distortion. You get impressive clarity, frequency response, and dynamic range. Monster Standard is engineered for better bass response and punch with speakers of all impedances.

The big stage amp of choice in the ’60s is brought back in the Ampeg SVT-CL Classic Bass Head with 300W (to either 2 or 4 ohms). Tube array includes 2 – 12AX7s in the preamp, 2 – 12AU7s and a 12AX7 for drivers, and 6 – 6550s for power. Controls include 3 bands of tone, 5-way mid selector, plus ultralow and high boosts. Normal and padded inputs, tube-protection circuitry, auto-fault mode, fan cooling, slave output jack, 4/2 ohm selector, user biasing controls, and 3-position AC polarity switch.

The SYB-3 Bass Synthesizer is the first of its kind–a high-quality bass synthesizer in a compact floor pedal design. The SYB-3 can turn any electric bass guitar into a dance, techno, hip-hop, funk or R&B machine, molding a “straight” bass sound into any number of today’s popular synth bass sounds.

Pearl’s entry level kit, SoundCheck, is intended to change the mindset of what an entry-level drum set should be. These Pearl drum shells are made from 9-ply mahogany and are finished in a durable high-gloss covering. WIth the inclusion of the Sabian B8 cymbal pack and the sturdy 700 Series hardware, this kit adds up to an entry-level set of extraordinary quality.

Is constructed with environmentally responsible big-leaf mahogany for the big, classic warm tone perfect for rock drumming. The kick drum is made without a tom holder for unobstructed tone.

Hi-Hat Stand features the PosiLink Twin Cam Drive System: you determine the desired pedal response by changing among the 4 unique cams included.

The Iron Cobra Junior bass drum pedal has a sharp-looking redesigned footboard but retains the Iron Cobra series’ offset Power Glide cam, beater angle adjustment, and movable hoop clamp of the Iron Cobra line. The Iron Cobra Junior offers the innovative design and response of the main Iron Cobra line at affordable prices. This kick drum beater provides full volume and punchy attack.

Members of the most popular and versatile series of cymbals, this Zildjian A Series New Beat Hi-Hat Pair can best be described as exuberant. All-purpose combination of stick and “chick” sounds.

The Zildjian ZBT China Cymbal is fast, bright, and trashy — ideal for special accents and musical exclamation points. A bold and colorful Zildjian cymbal with an explosive attack, fast decay, and plenty of volume to cut through the music.

Cymbal delivers clean stick definition, reduced tonal spread, and a bright bell.

The FP-3 Digital Piano delivers the sound and touch of a concert grand in a compact instrument that’s both stylish and fun to play. Incorporating Roland’s top-quality piano sounds and new Progressive Hammer-Action keyboard, the FP-3 will please even the most demanding players, while an onboard Session Partner with realistic drum and bass patterns makes practice more fun.